Christian Carion is co-writing and directing an English remake of his 2017 film, My boy. My son is a mysterious thriller about Edmond Murray (James McAvoy), who visits his ex-wife, Joan (Claire Foy), to help him find his missing son.
McAvoy is one of the most talented actors working today. He’s never been known to avoid a challenge, as he plays a man with 24 different personalities in To divide or do an in-depth monologue last month Together. His last acting attempt comes in this film as he improvises all of his dialogue. With only plot points given, McAvoy began filming each scene reacting to his situation in real time. It seems like a daunting task for an actor, but it was nothing McAvoy couldn’t achieve.
Like the best actors of the past and present, McAvoy has a way of letting dialogue sound natural instead of being repeated and memorized. Maybe the spontaneous nature of the film helps with that, but he never lets the fact that he improvises get in the way of his performance. He is really captivating in this role. McAvoy puts everything he can into this project, and while it can be easy to get carried away by the fact that everything he says is improvised, his work here is so alluring you might even forget it. at the end. . Foy is also fantastic as his ex-wife, Joan. Everyone in the movie does a great job of drama, with McAvoy and Foy matching each other’s emotional levels. Their characters go to dark places and both of them sell every second.
Unfortunately, the film can lose some of its familiarity. Movies about parents trying to uncover the truth about their kidnapped / missing children are rife, whether we have Liam Neeson mowing down the sex traffickers in Taken or Mel Gibson shouting on his cell phone while Ransom. When films re-use concepts and premises, what makes it interesting is how the filmmaker gives it a unique twist. Take that of Aneesh Chaganty Research-another film about a father whose child has disappeared. This thriller takes place entirely on screens, and that made the movie so much more engaging.
But this film doesn’t have much to do with it. Tonally, the film most closely resembles that of Denis Villeneuve Prisoners, a missing child film that enters very dark places with its characters. This movie aims for something similar but ultimately doesn’t offer a new take on the all-too-familiar premise. The first ten minutes don’t quite catch the audience, barely setting up the premise in an exciting way. However, for the next hour or so, the film mostly focuses on its characters, and it can be quite interesting to learn more about our protagonist and his past as he hasn’t always been there in his son’s life.
Ultimately, the movie can feel a bit monotonous, just stepping into generic territory as the characters are in the same situation for much of the movie. But the film takes a turn in its final act, becoming almost an entirely different film. Our final act throws the characters to a new place, and it doesn’t rely on some thrilling blockbuster action. Instead, the last thirty minutes are filled with a lot of calm and arousing tension that works well and is ultimately the best part of My son, despite its disposable villains.
While My son could have gone to more emotional places with Edmond and his son, the film is finally watchable. While the movie is a mystery in numbers that might not beg you to see it again anytime soon, and it may seem like the improv aspect is just a gimmick to get you to watch the movie in the first place, it doesn’t. isn’t a bad movie at all.
Having seen My son, it’s pretty understandable why the film was dropped on Peacock with little marketing behind. It’s not the most memorable thriller, but for those interested in McAvoy and Foy giving stellar performances in the midst of a mystery, this isn’t one you’ll regret checking out.
As the ComingSoon review policy explains, a score of 6 equals “decent.” It does not reach its full potential and is a mundane experience.