Love story – Cake Maker Sat, 22 Jan 2022 09:44:14 +0000 en-US hourly 1 Love story – Cake Maker 32 32 A Human Position review – slow and lingering love story in a dreamy small town in Norway | Movie Sat, 22 Jan 2022 07:20:36 +0000

“WWhat’s the best thing about Norway? asks the main character of this intriguing film from Norwegian screenwriter and director Anders Emblem. Her friend replies: “Mountains? A-ha? To which the original speaker responds that she was actually thinking more about things like the welfare state. It’s a quibbling, playful and thoughtful exchange, which also seems to coincide with hesitant sexual advances, and it’s very characteristic of this elegant, seriocomic, beautifully shot piece of slow-moving cinema, with excellent catplay and quirky touches. by Murakami.

Asta (Amalie Ibsen Jensen) is a young woman who lives with Live (Maria Agwumaro) in a spacious apartment in the Norwegian port city of Ålesund, opposite an abandoned building that Asta is often seen staring pensively at. Live is a carpenter specializing in the repair of chairs. She also likes to play the electric organ that the owner left in the attic. In what appears to be a lull in his personal and professional life, Asta applies to the local newspaper, Sunnmørsposten, for a temporary shift job. After working through stories about fan dissatisfaction with the local football team and greedy developers threatening to tear down the Art Nouveau architecture the city is famous for, Asta stumbles upon a story that means something to her: an asylum seeker named Aslan who was forcibly repatriated. She sets out to find out more about him and seems reasonably pleased with the resulting somber article about the troubled conscience of the Norwegians – although the question of Aslan’s whereabouts now is another matter.

In fact, both Asta (and Live) may be more distracted by the issue of Asta’s depression and possible self-harm. Everything we see on screen: all the slow shots that build up, the angular visual compositions, all the bright and purifying tableaux of the city and its steep picturesque lanes, the soft shots of the cat, the inquiring diary and the chairs…can just be a moving activity. It may just be Asta’s healing – or his reluctance to heal. And this healing also plays a part in Live seeming to be in love with Asta.

And the emptiness of the city is itself striking. The pandemic is not mentioned and no one wears a mask. But I wonder if Emblem hasn’t adopted a sort of lockdown aesthetic for its film, a deliberate dreamlike emptiness. A Human Position is a question mark of a film with an elusive tone, happy and sad. It lingered in my mind.

A Human Position screened at the Tromsø Film Festival in January 2021.

source link

Disclaimer! NewsConcerns is an automatic aggregator of all the media in the world. In each content, the hyperlink to the main source is specified. All trademarks belong to their rightful owners, all materials to their authors. If you are the content owner and do not want us to publish your materials, please contact us by email – [email protected]. Content will be deleted within 24 hours.
How a Love Affair and a Burned Warehouse Helped 1,000 Entrepreneurs Start New Businesses Thu, 20 Jan 2022 16:18:04 +0000

The post How a love affair and a burned down warehouse helped 1000 entrepreneurs start new businesses appeared first on PR Fire.

Startup Streams, an accidental start, exceeds its first milestone of 1000 customers

Along with Coca-Cola, Kellogg’s and Ferrari, Startup Streams is the latest company to add to the list of “accidental starts” after a warehouse in the UK burned. The future founder of Startup Streams Eddie Eastman worked at the warehouse, but when he had no more work after the fire, he decided to go to Indonesia where he met his girlfriend, Nadya.

After some time spent at bali and needing to return to UK due to an expired visa, Eddie was determined to return to bali as soon as possible to see his girlfriend. He decided to use his graphic design and web design skills to sell pre-made businesses with products to sell to help break down barriers to entrepreneurship for those who want to start a business but don’t know where to start.

“I’ve always been involved in entrepreneurial endeavors since I was 12 when I started a skateboard sticker business in school. I’ve always had a rough side, but I wanted to get started in a full-time company to hang out. bali as soon as I can,” Eddie said.

Within days, Eddie had sold his first business on the Shopify Exchange, but accidentally said the store wasn’t exclusive.

“When I made the sale, I contacted the buyer as I thought he hadn’t seen the mistake. However, the buyer said he was happy to buy the business in double meaning I was able to sell the same business multiple times. . Startup Streams was born!” Eddie added.

Eddie was able to return to bali within 60 days of launching Startup Streams due to its success and a few months later, she hired Nadya and four of her friends who were graphic designers and developers but had lost their jobs due to the pandemic.

Startup Streams expanded to sell on the ‘super seller’ Flippa Marketplace and Fiverr Pro before several major pivots in their business model before relaunching in 2021.

“My first client messaged me a year after buying from me and said their store was still doing great, even though I had sold a few of the same businesses since then because it was over $700 per month, which was fantastic to hear.” Eddie continued.

From January 2022, Startup Streams features over 100 prefab businesses for sale and has helped over 1000 entrepreneurs launch businesses or start a side hustle, and continues to do so today.


(C) 2022 M2 COMMUNICATIONS, source M2 PressWIRE

Why a beached barge became a popular photo spot in Vancouver Tue, 18 Jan 2022 17:33:23 +0000

Every local media latched onto the barge story. In December there were requests on social media to decorate the houseboat with Christmas lights (this did not happen). Memes, like the barge pictured as Vancouver’s next luxury condo building — a dig into the city’s notoriously unaffordable housing market, are circulating in droves on social media. There is even a popular barge parody twitter account.

“In Vancouver, we have a unique sense of humor, a unique sense of levity, if you will,” said Donnie Rosa, CEO of the Vancouver Board of Parks and Recreation.

In fact, the Park Board, which in 2014 approved the renaming of “Guelph Park” in trendy Mount Pleasant, just south of downtown, to “Dude Chilling Park”, in honor of an art sculpture that looked like, well, a chilling dude, saw a similar opportunity with the houseboat. On December 15, exactly one month after the barge ran aground in English Bay, the council erected a temporary “Barge Chilling Beach” sign.

“It’s been a tough year, why not bring some joy to this holiday season?” said Max. Rosa, who is non-binary, noting that the temporary panel costs less than a few hundred dollars. “The amount of joy it has brought, I think is money well spent.”

“I didn’t expect to see a sign, which I found quite humorous,” Mr Simon said. “It’s a perfect Instagram-worthy shot.”

And really, if it’s not on Instagram, then it never happened, did it?

“I saw stories about the barge on social media and that’s how I knew I wanted to go,” said Jasnoor Kaur, a young woman from Winnipeg, Manitoba, visiting her home. boyfriend, Ram Binner, who lives in a nearby suburb of Vancouver. .

Inside a Deadly Bronx Fire: Scenes of Mayhem, Despair and Love Sun, 16 Jan 2022 23:14:45 +0000

“It’s going to kill everyone,” she said.

Mr Romero watched his wife carrying their unborn child, 19-year-old son Anthony, 7-year-old daughter Jlana, and called out soothing words. “We are here together. Everything will be fine for us. He said nothing about the fear that was rising in his mind.

Next door at 12N, 28-year-old Tatiana Strahn grabbed a sweater and held it to her mouth, then rushed out of her apartment. Her 2-year-old son, Owen, was three floors up at his aunt’s house, and nothing could stop her from chasing him. Not so long ago, she had lost two members of her family in a fire in the Dominican Republic.

Her eyes stinging from the smoke, Mrs. Strahn reached for the walls of the staircase to guide her through the darkness. On the 15th floor, she passed a boy of about 8 or 9 years old who was going downstairs. “What are you doing here?” she screamed. ” Where is your mother ? Enter an apartment, exit the stairs!

His eyes were wide and confused. “She’s going down,” he said, then turned and rushed back up.

In the hallway, Mrs. Strahn called her aunt: “Maria! A door flew open. His aunt rushed over carrying Owen, her face pressed against his neck. The three descended the stairs.

Back home, Ms. Strahn began to panic. The smoke was billowing in, and now she had to take care of six people. Aunt Maria who suffered from anxiety. Owen and his 4-year-old daughter, Leilani. The children’s father, Efrain Sifuentes, on his usual weekend visit, who had a broken leg and was on crutches.

Charely, her older sister from Connecticut, was also there, having surprised her over the weekend to tell her she was pregnant. She had brought her 11-year-old daughter, Yoriely. And then there were the two golden retrievers.

Ms Strahn ordered everyone into the least smoky bedroom while she wedged blankets at the entrance to their duplex and attempted to seal the edges of the door with duct tape. Mr. Sifuentes filled pots of water to douse the area, hobbling back and forth from the sink.

Guillermo Del Toro: “I saw real corpses when I was growing up in Mexico” | Movies Sat, 15 Jan 2022 09:00:00 +0000

gUillermo Del Toro used to describe Hollywood as “the land of the slow no”. It was a place where a director could die waiting for a project to be greenlit. “The natural state of a film is to be undone,” he says on Zoom from his home in Los Angeles. “I have about twenty scenarios that I carry around and that nobody wants to do and that’s good: it’s the nature of the job. It’s a miracle when you make anything.

Nevertheless, Del Toro has established himself as the first fantastic filmmaker of this century, more inventive than the current Tim Burton and less pompous than Peter Jackson (with whom he co-wrote the Hobbit trilogy). From the haunting adult fairy tale Pan’s Labyrinth and the voluptuously garish antics of Hellboy to his love affair between beauty and fish The Shape of Water, which won four Oscars, he’s the master of gooey phantasmagoria. .

Waking up the morning after the Oscars in March 2018, Del Toro found himself in an industry newly receptive to his ideas, even if it wasn’t quite the Land of the Fast Yes. “There are still parameters,” says the 57-year-old. “But I’m able to get things made that would otherwise go through a more torturous process.” These include his stop-motion animated Pinocchio, set in Mussolini’s Italy, which will premiere on Netflix later this year. Before that, there’s Nightmare Alley, a macabre noir thriller that’s the first of his films to lack fantasy elements. “Every time I make a film, I always say that the worst monster is a human,” he smiles. “I decided to continue, but without the safety net of fantasy or flights.”

Adapted from the 1946 novel by William Lindsay Gresham – although not a remake of the 1947 film version starring Tyrone Power – Nightmare Alley follows the devious Stanton Carlisle (Bradley Cooper), who flees the scene of a murder and hides at a carnival. There he meets his sleazy staff: clairvoyant Zeena the Seer (Toni Collette), entertainer Molly Cahill (Rooney Mara), who “drives” lethal levels of electricity, and grizzled barker Clem Hoatley (Willem Dafoe), responsible for “the Geek” (Paul Anderson), who lives in a cage and bites off the heads of live chickens.

A self-proclaimed carnival obsessed, Del Toro drew much of the film’s rich details – including a woman posing as an arachnid-human hybrid – from memories of growing up in Mexico. “The Spider Woman act is the one I saw when I was four or five,” he says. “I have a picture of me and my brother on a little horse cart the day we saw it. I was very small and the impression it made on me was so strong. I remember exactly what she said, “Oh, woe to me, I was turned into this for disobeying my parents! I knew it wasn’t a real spider, but the picture was so disturbing. And the lady seemed so bored. The carnival in the movie isn’t magical but at least it’s honest to be dishonest. That’s the advantage I see over the city. The people in the city pretend to be honorable.

It is in the city – Buffalo, New York, to be precise, but a core of corruption as symbolic as any black metropolis – that Stanton’s skills make him a superstar on the mentalism circuit. It’s here, too, that he encounters characters darker than anything carnival can puke, including Cate Blanchett’s psychoanalyst femme fatale Dr. Lilith Ritter.

Fatal Attraction… Cate Blanchett as Dr. Lilith Ritter in Nightmare Alley. Photography: AP

Del Toro has had more than his share of bruises and setbacks in the film industry, from an early run-in with the Weinstein brothers, who slaughtered his giant 1997 bug horror Mimic, to when Universal suddenly unplugged his epic adaptation of HP Lovecraft’s monster festival At the Mountains of Madness. Is the city depicted in Nightmare Alley analogous to his experiences in Hollywood?

“It’s analogous to most human endeavors,” he says. “Our capacity to be brutal with each other is infinite, unwarranted and gratuitous. And it seems to come naturally. I think we are paradoxical beings: we are the best that has happened to this planet and the worst. There is no reason to deny a side. We are capable of absolutely beautiful and absolutely brutal acts of love. We do not exist in a single space.

It makes him think back to childhood. “I saw real corpses when I was young,” he recalls. “People who have been shot or had accidents. You have an idea of ​​how heavy things are. It’s definitely not a rosy life growing up in Mexico. There’s this famously touristic but very real dichotomy for me as a Mexican, where the notion of life and death as impending doom is merged into one concept.

Mexican wave... Del Toro celebrates his double for The Shape of Water at the 2018 Oscars.
Mexican wave… Del Toro celebrates his double for The Shape of Water at the 2018 Oscars. Photograph: Paul Buck/EPA

As a Mexican, he also had to deal with an American administration that made no secret of its hostility towards people like him. Just over a year after Donald Trump’s inauguration, Del Toro began his Oscars acceptance speech with four key words – “I am an immigrant” – then claimed that “the greatest thing our art, and our industry, is to erase the lines in the sand. We should continue to do so when the world tells us to deepen them”.

It was an inspiring speech worthy of an uplifting film: in The Shape of Water, four strangers (a mute servant, her African-American colleague, her gay neighbor and the amphibious creature she falls in love with) triumph over a Fascist American colonel in cold wartime Baltimore, just as the Francoist general is defeated in Pan’s Labyrinth, and the ghosts of the Spanish Civil War are faced with the end of Del Toro’s allegorical horror, The Devil’s Backbone.

But Nightmare Alley is not a film born of hope or healing. Although it is set in the 1940s, it is unmistakably a product of our times. “One hundred percent,” agrees Del Toro, who describes it as the story of “the rise and rise of a liar” who “aims for what he thinks is success, and is therefore perpetually hungry.” How Trumpian.

Handsome Devil… Doug Jones as the Pale Man in Pan's Labyrinth.
Handsome Devil… Doug Jones as the Pale Man in Pan’s Labyrinth. Photography: Everett/REX/Shutterstock

“We are in a very divided moment,” he says. “As a storyteller, I’m reactive, so I didn’t feel the need to do an engaging love story right now.” That said, a love story did emerge from the production. The director’s 20-year marriage to Lorenza Newton, mother of his two daughters, had already broken up by the time he began collaborating on the screenplay with Kim Morgan, film critic and ex-wife of Canadian director Guy Maddin. The co-writers got married last spring.

No trace of romance survives in the film. “These are very dark times,” Del Toro says. “For an audience, my films form a filmography. But for me, it’s a biography. In exchange for two hours, I give you three years of my life. Make it just two and a half hours in the case of Nightmare Alley – an awfully long time to spend in the company of a greedy and deceitful protagonist who only manages to figure himself out in the last few minutes.

“It’s no surprise where Stanton ends up,” says Del Toro. “But it’s How? ‘Or’ What it ends there. You don’t look at the story of Jesus and encourage him not to be crucified. You don’t look at Oedipus and bet he won’t sleep with his mother. The inexorable fate will arrive because the character is immutable. That’s the power and the difficulty of a film like this.

Beauty and the Beast... Elisa (Sally Hawkins) meets the mysterious amphibian man in The Shape of Water.
Beauty and the Beast… Elisa (Sally Hawkins) meets the mysterious amphibian man in The Shape of Water. Photo: Fox Searchlight/Allstar

Industry lore states that you can usually drop a zero on the raw if your hero isn’t changed or redeemed. Add to that pandemic-era audiences’ reluctance to fully embrace cinema and it’s perhaps no surprise that Nightmare Alley struggled at the US box office. The film, budgeted at $60 million, fetched less than $3 million in its opening weekend, which Forbes magazine says is “below even ‘Covid normal’ $5 million.” for films like King Richard, The Last Duel and Last Night in Soho.A Searchlight spokesperson admitted that “the numbers were a little more modest than we had anticipated.”

Whatever the image’s commercial fate, Del Toro’s determination to distort or withhold familiar black pleasures is to be admired. “Black was born in a time of disillusionment in America,” he says. “I wanted to get into that existential quality and stay away from Venetian blinds, rotating fans and a detective in a gabardine mac walking down a wet street.” It’s also a movie that puts the focus squarely on behavior. “Fate is the sum of your choices. There is no punishment, no tarot, no bad luck in what happens to Stanton. We made a very clear happy ending in the middle of the story where he gets the girl back and he leaves the carnival for a better life. I even make a nice crane shot, like the end of a movie. And then two years later, he does a great number in a luxury cabaret, lives in a chic hotel with room service, and that’s not enough. He is still unhappy.

It is therefore advisable for anyone who is reluctant to face the bitter pill of the second half to rush to the exit after this crane blow. “Yeah,” he said, warming to the thought. “Audiences not interested in a punch are strongly urged not to stay.”

Nightmare Alley is in UKcinemas of January the 21st.

]]> Author Questions & Answers: Savage resident Christine Kelly on her first novel | Wild news Thu, 13 Jan 2022 13:30:00 +0000

“Thrown by Love” – ​​a romance novel by local writer Christine Kelly – debuted last month at Kirk House Publishers.

The Savage Pacer interviewed Kelly this month about her writing process, inspiration for the novel, and her upcoming projects.

Author Questions & Answers: Boots and Bulls, Book One – Thrown by Love ”by C. Kelly (Kirk House Publishers).

Q: Savage Pacer readers may know you best as a longtime member of Savage City Council. How long have you been writing fiction?

I have been writing for years. Most of these writings were just individual scenes involving many different characters and unrelated storylines. It wasn’t until I wrote a scene for this book that I got ideas on how to expand the scene into a full novel.

Q: Tell us about your novel.

“Thrown by Love” is a love story; love between brothers and sisters, love for friends and more particularly love between a man and a woman. This story follows the love that blossoms between Joel Roulston and Carrie Nelson. Carrie agrees to appear on a reality TV show about becoming a ranch worker and bull rider. Joel and his two siblings operate the ranch where the show is filmed. It’s a sweet and healthy love story. Joel and Carrie face different challenges along the way and through these experiences they learn that the feelings they have for each other are deep and true. It’s ultimately a story with a “happy forever” ending.

Q: When did you start working on the story that became “Initiated by Love?” What was your writing process like?

I worked on writing this story for five and a half years. When I started writing the book, I didn’t think about publishing it. I knew I had a great story that I wanted to put on paper. I wrote as different scenes came to my mind and when I had time. As I mentioned, it was over the years. I wasn’t in a particular rush to finish it because I was writing it just for myself, and maybe for a handful of family and friends that I could share it with. As the story developed I found myself wanting to spend more time writing the story to finally “find out” what is going on with Joel and Carrie and finally give them a “happy ending for.” always “.

Q: The title of your novel suggests that there is more to the story. Are you able to share details of what to expect?

Yes, “Thrown by Love” is the first volume in the “Boots and Bulls” trilogy. I started writing the second book of the trilogy which is the love story between Joel’s brother Zach and Aubrey Zumronik, or “AZ” as his friends call him. Zach and AZ have known each other for most of their lives. When Zach learns that there is a threat against AZ and his family, he steps in to help find and eliminate the threat. Zach and AZ’s love story is about learning to overcome the hurts of the past and trust the person they each have become.

The third book in the trilogy is Maria’s Story, although my readers will have to stay tuned to find out who Maria falls in love with.

Q: Where do you find your inspiration as a writer? How have other books like this influenced your writing and style?

I find meeting new people and hearing their stories inspires me to create new characters. Each of us faces different challenges and has different experiences. When I hear about other people’s life experiences, it broadens my mind to create characters who also face different challenges than mine.

I also find inspiration by traveling to new places. I find that changing the scenery and discovering different places seems to generate a lot of story ideas. Sometimes traveling gives me an idea of ​​an obstacle that a character might need to overcome.

I have loved the romance genre my whole life. There are some amazing romance writers who have developed touching and inspiring stories. I hope my stories take my readers on a journey alongside characters who know life’s joys and challenges and are willing to take the risk of finding a love that lasts. Authors who write stories with close characters have influenced me the most. I hope my readers feel they can relate to my characters and the obstacles they face.

Q: Publishing a novel is a long process. How does it feel to have your book available to readers?

Holding the finished book in my hands is always a surreal experience. But I get more excited when I think about sharing Carrie and Joel’s story with everyone. Hearing my family and friends who have already read the book and enjoyed it motivates me to continue working on future novels.

Writing is a lonely process. While writing the story, I found myself walking alone with the characters, seeing and experiencing what they were doing. Hearing my readers, making them accompany them on the journey, converts the experience into an experience that I now share with others. It’s similar to what I imagine an athlete, let’s say a figure skater, goes through. She trains day after day, year after year. While she may have coaches and supporters helping her along the way, she’s ultimately the one, the only one, who can execute every move. Ultimately, it’s up to her to decide if she can complete the routine. But once she competes, then she is joined by the crowd. Fans can take part in the last leg of the journey. I think this is also true for my experience. In the end, it was ultimately up to me to finish the story. However, now that the story is over, readers can follow the journey with the characters. Readers can see, hear and experience what the characters are going through, and finally share those experiences with me. I am so excited to share this story.

Q: What advice do you have for other writers in the community who want to write or publish a novel?

Find someone to support your dream. As I mentioned, writing is a very lonely process. Having someone who encourages and supports you inspires a writer to keep making the story, to keep developing the characters into a story worth sharing.

Plus, the writing process involves a lot of rejection. An author seeking a literary agent or publisher should be prepared for rejection. It’s all part of the process. However, a friend who supports your dream of writing downplays the effect that rejection can have. Find someone who is ready to help you dream and visualize your success.

There are many ways to find this support. Join a writing group. I attend the Savage Writers Group and have come to rely on the support I receive from this group. I find some of the most helpful people are other writers. The writers I have met, in this group and other similar groups, have encouraged me and provided me with a lot of positive feedback.

Finally, I would also tell a new author not to give up. There are thousands of stories to tell. Don’t be afraid to say your own.

Writer Kathryn Schulz’s “Lost & Found” is a story of loss and discovery: NPR Tue, 11 Jan 2022 15:39:57 +0000
Lost & Found: A Memoir, by Kathryn Schultz

The grieving story and the love story that form the backbone of New Yorker Memoirs of the writer Kathryn Schulz Lost found are not, in themselves, extraordinary.

We start with the death of his father Isaac in September 2016 – “not a tragedy, ”because he passed away after a long history of illness,“ peacefully, at the age of seventy-four. Schulz was in his forties when his father passed away, a very average time to experience such a loss. she writes that she met and fell in love with the woman she was going to marry – the writer Casey Cep (here called “C.”) – 18 months before her father died. That they had met was not unusual; They had been introduced by a mutual friend and both wrote for the same magazine. Nor is it strange that Schulz experienced both heartbreak and love (more on that later).

Corn Lost found is as much a philosophical calculation with the experiences of loss and discovery as it is a recording of Schulz’s personal grief and love stories. It is this philosophical reversal of loss and discovery that makes this memory extraordinary, because it frees an existential sense from the quite banal facts of human life.

Schulz structures his exploration into three movements titled “Lost”, “Found” and “And”, which are respectively rooted in the loss of his father, the search for love and the marriage with C. From the beginning, however, we quickly move beyond the details of what happened to Schulz, and in an outward explosion of what it means to lose, find, connect and keep going. On the second page, Schulz already explores the etymology of loss, considering why we turn to it to describe the death of a loved one:

“The verb ‘to lose’ has its taproot embedded in sorrow; it is related to the “lorn” in “forlorn”. It comes from an Old English word which means to perish, which comes from an even older word which means to separate or separate … The circle of what we can lose … started with our own lives and those of the others and has grown steadily since. “

The fact that Schulz could make such a compelling – surprising but appropriate – visit to the Oxford English Dictionary is a testament to his abilities as a prose stylist.

The readers of Schulz’s remarkable February 2017 New Yorker test “Losing Streak” will remember this passage, because Lost found completes the exploration started by this piece. The first section of the memoir and “Losing Streak” recount how the person Schulz lost – his father – was also a consummate loser. “He had a prodigious memory, a panoptic curiosity and an ability, when faced with problems of all kinds, to distinguish what was irrelevant from what mattered as quickly as a coin machine separates pennies from coins,” writes Schulz in Lost found. “What he didn’t have, nine out of ten times, was his wallet.” These passages, where we learn who Isaac was – a lawyer, a refugee, a Detroit Tiger fan, a man who “had something urgent to say about almost everything” – are rendered with love, making us miss him too.

What makes the first section of this memory piercing – where she improves “Losing Streak” – is that beyond a touching portrait of singular mourning, Schulz unveils universal truths about Why loss annoys us and forces us to struggle with our place in the world and how it works. When we can’t locate what we’ve lost – whether it’s a sweater in a tiny apartment, Malaysia Airlines Flight 370 in the Indian Ocean, or a deceased loved one on that plane of existence – we often respond with “a strong feeling of disbelief” because it seems that “the world does not obey its customary rules”. It is certainly not possible that these losses are irrecoverable. In fact, Schulz reminds us, the rules of our world dictate that we will lose our possessions and lose our lives:

“Losing something … forces us to confront the limits of existence: the fact that sooner or later it is in the nature of almost everything to pass out or perish. Time and time again, loss calls us upon us. to accommodate this universal impermanence – with the puzzling, infuriating, heart-wrenching fact that something that was right here can, all of a sudden, be gone. “

Here, Schulz forces us to sit down with what we ignore in our daily lives, so that we can continue to live them – the impermanence of all that we love. The death of someone you have shared your life with is crippling, as it plunges you into a brutal awareness of this impermanence. And yet, if we are to continue living, we must make peace knowing that nothing in this world is eternal. It is this riddle that Schulz unravels in the last section of the book, “And”.

Before we get to that, however, we spend a hundred pages in the rapture of discovering love – pages that pay homage to the astonishment of finding anything “in a stochastic world.” It is very difficult to write about contentment and not being smug, which Schulz acknowledges when she considers that in most love stories, “‘happily ever after’ is the end, not the story. “. In “Found”, she takes up this challenge by bringing back the happiness of her life with C. with a texture that brings to life the way “finding makes [the world] richer, more abundant, more interesting. ”As Schulz describes time spent outdoors with C., his enthusiasm for the natural world is reminiscent of the New Yorker report on the earthquakes for which she won the Pulitzer Prize, although here tinged with fear, no alarm.

Sometimes all this fear becomes boring, like when Schulz is amazed at the chances of risking his partner. It did not seem “improbable to me that [they] had never met “just because C. was raised Lutheran on the east coast of Maryland and a Jew from Schulz to Shaker Heights, Ohio. The Argonauts to William James to define how we recover and find out.

William James returns in “And”, and it is him that Schulz invokes to synthesize “Lost” and “Found” in Lost found. In The principles of psychology, James writes: “We must say a feeling of and… as easily as we say a feeling of blue or a feeling of cold. “We live our lives in this feeling of and, in simultaneity, in juxtaposition, in continuity. We are in sorrow and we are in love at the same time. Schulz lost “the life that seemed to filter through” his father and found the life filtered through his wife. The two experiences together taught him the immensity of the world and the time we devote to it. “It’s easy to feel small and helpless,” Schulz writes, “easy too to feel awestruck and lucky to be here”. Lost found is a spur to wonder, a call to remember that “we are there to watch, not to keep”.

Kristen Martin’s writings have also appeared in The New York Times Magazine, The Believer, The Baffler, and elsewhere. She tweets to @kwistent.

Actor Maria shares love story on her birthday – Nairobi News Sat, 08 Jan 2022 04:55:47 +0000

Actor Brian Ogana, known by his stage name Luwi Hausa, introduced his girlfriend when he was a year older.

Series actor Maria posted his sweetheart, Ms. Dyder Abdallah, on his Instagram and thanked her for being by his side.

Additionally, the Good News Broadcasting System (GBS) reporter said he hopes that one day he can give his lover all she deserves and more.

“To the most precious person and to a lover like no other, I wish you the best birthday possible. May this day be as sunny as your smile and as beautiful as you are, ”he added.

In response, Ms Abdallah posted saying that she really liked the actor.

The father of three, however, did not introduce the mother of his children even after being the face of Parents magazine.

In addition, the comedian did not hesitate to publish his girlfriend even without revealing her face.

At the end of last year, the winner of the Best Dressed Media Personality 2016 captioned “Tulisema tunawaficha kama mihadarati. But for you anything “, while attaching a photo of him lying on his wife.

In her separate Instagram account, whose face she did not reveal, Ms Abdallah also made her baby known to the world.

The two lovebirds exchanged sweet words with each post, declaring their love for each other.

Source link

Ron Shafer’s “There Is a River” is a continuation of the epic love story of Jude and Cory who endure in love through thick and thin. Thu, 06 Jan 2022 05:00:00 +0000

MEADVILLE, Pennsylvania., January 6, 2022 / PRNewswire-PRWeb / – “There Is a River”: A powerful story that examines faith, true love, and the power of God’s grace. “There Is a River” is the creation of the published author Ron Shafer, a forty-year-old professor who holds a distinguished university chair for life. Now retired, he enjoys traveling, writing and spending time with his family.

Shafer shares: “Jude and Cory’s beautiful love story and triumph over defeat is exactly what America needs in the wake of a devastating pandemic that has created massive upheaval and resulted in heartache endless for our beloved nation. Faced with horrific evil, Jude and Cory are models of a faith that stabilizes, courage that endures and love that inspires. Jude and Cory are like members family, so we can’t wait for the fifth novel, In Dark Woods. Although too busy lately to be considered avid readers, we’ve both read There is a River in practically one day. For us, the novel is a welcome escape from the hustle and bustle of life. ‘ —Rick and Linda Gray, Bellwood, Pennsylvania

Published by Christian Faith Publishing, Ron Shafer’s This new book takes readers on a new journey of faith in the fourth installment of the Jude / Cory love story.

Shafer offers readers a rich and vibrant thriller that will captivate readers from the first page. With a suspenseful narrative and affable characters, readers will welcome the sequel to a love story for the ages.

Consumers can buy “There’s a River” at traditional brick and mortar bookstores, or online at, Apple or iTunes Store. Barnes and Noble.

For additional information or inquiries about “There Is a River”, contact Christian Faith Publishing’s Media Department at 866-554-0919.

Media contact

Christian Faith Publishing Media Department, Christian Faith Publishing, 8665540919,

SOURCE Christian Faith Publishing

Source link

‘Ranjish Hi Sahi’ Trailer Gives A Look At Seventies’ Bollywood Dramatic Love Story Tue, 04 Jan 2022 05:22:49 +0000

Bombay, January 4 (IANS): The trailer for the upcoming series ‘Ranjish Hi Sahi’, a dramatic Bollywood love story, was unveiled by its creators on Tuesday giving a glimpse into the golden age of the 1970s.

The series revolves around a young maverick director who finds himself drawn into an extramarital affair with an eccentric superstar who changes his life forever; his marriage to his first loves turns as he is torn between two worlds.

Produced by Mukesh Bhatt and Jio Studios, the web series features Tahir Raj Bhasin, Amala Paul and Amrita Puri in the lead roles.

Tahir said, “When I was told the script for this unique love story, I was immediately struck by the layering of the character, Shankar. What drew me into this role was the challenge. of a romantic drama where the protagonist is torn between the love of the two women in his life.

“Shankar blurs the lines between a vulnerable romantic and an overbearing rebel. Playing it was a complex emotional roller coaster, but above all, it was a lot of fun.”

This story tells the life of Shankar, Amna and Anju. He explores the complicated human relationships between adults and the different nuances that love can take.

Created by Mahesh Bhatt, written and directed by Pushpdeep Bhardwaj, a production of Vishesh Entertainment.

Speaking about the series, director Pushpdeep Bhardwaj said, “An attempt to bring out complex human emotions, based on the golden age of the film industry: the glorious 70s. Recreating this world in the midst of trying times today was nothing short of miraculous, and it wouldn’t have been possible without the generosity of everyone at Jio Studios. “

Actress Amala Paul, who is making her Bollywood debut with the series, has revealed her reaction after being cast for “Ranjish Hi Sahi”.

“When I got a call from Vishesh Entertainment to play this character, my reaction was, ‘Wow! Do I really look like a Bollywood superstar from the 70s? I was ecstatic; a feeling that I cannot express in words but at the same time there is a huge sense of responsibility. “

Speaking about her character, she said, “This Bollywood diva’s character had a fierce and shameless personality; translating that kind of energy to the screen was a challenge. It was like a fantasy game, but I did a lot of research. It was surely a rewarding experience. “

Actress Amrita Puri described her character.

“Anju’s simplicity is her strength. Getting into her character has been a learning experience for me. Her life and the times she lived in are so different from mine.

“She’s extremely resilient and that’s the reason the family stays together. I was amazed by her empathetic nature and ability to forgive. It’s not easy being a housewife and thorn. Emotional backbone of the family. It gave me a new perspective on things. “she added.

The series will have an exceptional soundtrack with music from Aabhas and Shreyas and melodious tracks sung by Rekha Bharadwaj, Vishal Mishra, Javed Ali and Ash King

‘Ranjish Hi Sahi’ will premiere on Voot Select on January 13.

Source link