German movie – Cake Maker Thu, 23 Sep 2021 18:37:23 +0000 en-US hourly 1 German movie – Cake Maker 32 32 Sign language users get creative despite Covid Thu, 23 Sep 2021 18:10:45 +0000

With the world in the throes of the COVID pandemic over the past year and a half, most of us have learned to communicate in new ways. Whether it’s participating in digital work chats, ‘going to’ school in virtual classrooms, or chatting with friends and family, many of us have had our fill of video conferencing.

Yet we have developed ways to conduct our daily activities glued to our computer screens, and we have also adapted to communication by wearing masks.

But for the deaf community, wearing masks and videoconferencing posed their own unique challenges.

ALSO READ: International Day of Sign Languages ​​today: theme, history, meaning

“The regulations on wearing masks make communication more difficult,” Stefan Palm-Ziesenitz, president of the Hamburg Association of the Deaf, told DW. “Even when wearing masks, deaf people are able to communicate with each other about everyday issues using sign language.”

“But communication with hearing people when wearing masks is next to impossible,” said Palm-Ziesenitz, who is almost 50 and has been unable to hear since birth.

He asks those who can hear to remove their masks before speaking so that he can read their lips and see their facial expressions. He noted that Hamburg has an ordinance which allows people speaking with hearing impaired people in public to remove their masks for the duration of the conversation, provided there is sufficient physical distance.

The pandemic alters the signature

The rise of pandemic videoconferencing has also had an impact on sign languages ​​themselves.

According to a February 2021 article in Scientific American titled “The COVID Zoom Boom is Reshaping Sign Language,” the signs are being changed to accommodate the limitations of video communication.

While sign language users can benefit from video conferencing because they can see each other, the small window size can limit expression. “The signing space is vast,” Michael Skyer, senior lecturer in deaf education at the Rochester Institute of Technology, told Scientific American. “Even though many signs are produced easily or normally in the dimensions of the Zoom screen, many are not,” said Skyer, himself deaf.

One example is the sign for “body” in American Sign Language (ASL), the article notes, which normally involves a long movement from shoulders to hips. The reduced signature space in the video windows forced some signers to end it at chest level.

New signs are emerging

Additionally, small signs with nuanced movements using only the fingers are more difficult to convey and view on small screens.

Likewise, frontal movements are difficult to decipher head-on. This has led some signers to adjust their body position to three quarters of the screen so that their gestures can be seen partially from the side.

New signs have also appeared in ASL, such as “Zoom”.

Sign languages, like any other language, are always evolving, adapting to specific circumstances and times.

And there is also no sign language, but hundreds across the world. International Sign Language helps facilitate communication between deaf people at world conferences, for example, but is considered rudimentary.

Ultimately, different signs are used in different countries and regions. Americans who know ASL may not understand British Sign Language, for example.

A long way to go

In Germany, German Sign Language was not legally recognized until 2002 in the Disability Equality Act.

This year alone, in March, it was listed on UNESCO’s National Inventory of Intangible Cultural Heritage, with UNESCO’s German website stating that it “successfully mediates between deaf and deaf people. hearing and guarantees equal participation in social, cultural or political life, regardless of the technical means of communication. “

Still, Palm-Ziesenitz said the gap between theory and reality remains wide. Some people in general society are more accepting of the deaf community, he said, but others are lagging behind.

“Many people [in Germany] who can hear are interested in learning German Sign Language [DGS] and sign language schools and courses have become very popular, ”he said.

On the other hand, he lamented that German TV stations, for example, often struggle to provide sign language interpretations in their programs.

According to the German Commission for UNESCO, German Sign Language is used by more than 80,000 deaf people, as well as by children of deaf parents, for example, or those with cochlear implants.

Everyone is a stage

“A lot of people think of sign language as a simplified form of expression – like when you want to communicate ‘swimming’, for example, that you just do swimming strokes,” said Kristina Larissa Funkhauser, a singer at opera, at DW.

“There is the idea that you can only convey things in a limited way in sign language. But it’s the opposite: you can express anything, every abstract subject, any minor and major emotion. . “

Right before the pandemic hit, Funkhauser faced vocal health issues and decided to expand her 20-year singing career and study sign language to become a performer.

Currently, while continuing her studies in sign language interpretation, she is performing in the musical Fiddler on the Roof at Theater Hagen in western Germany.

Funkhauser believed she was well equipped to pursue sign language studies.

“Sign language is very sensual,” she said. “And it’s something that’s close to home for me because I gesticulate a lot when I speak.”

In fact, she says, she has to tame herself when communicating in sign language.

“Facial expressions have a grammatical function in sign language. I often raise my eyebrows in everyday communication. But in sign language, that gesture can also mean I’m asking a question… so I have to be careful, ”she noted.

In fact, performing music in sign language is an art in itself, whether it’s opera, rock or pop. Take, for example, Laura Schwengber, who has performed the music of German artists such as Xavier Naidoo, Peter Maffay, Nena and Silbermond, among others. She even performed signed heavy metal music at the famous Wacken Open Air festival in Germany.

Daily communication

Outside of the cultural circuit, communication between people who cannot hear and those who can in day-to-day life can be improved, Palm-Ziesenitz said.

He was born in the 1960s to hearing parents and is currently an editor for a production company that creates films online in sign language.

“I communicated with my parents at the time in spoken language. In the 60s, when I was born, my parents were told that learning the spoken language would be the best thing for deaf people,” he said. Explain.

“Sign language was considered a ‘monkey’s tongue’ at the time,” he recalls. “My parents spoke very slowly so I could read their lips.”

He didn’t learn sign language until he was 16.

His contemporary advice for hearing people who communicate with people who cannot hear: “Look them straight in the eye. Good lighting is essential. Speak slowly in short sentences. And write things down on paper when the going gets tough. “

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Constantin Film, RTL in Movie Deal – The Hollywood Reporter Thu, 23 Sep 2021 08:25:10 +0000

German mini-major Constantin Film has signed a multi-year licensing agreement with commercial television giant RTL Deutschland which covers exclusive free television and streaming rights for all of Constantine’s theatrical productions, in German and English.

The deal, unveiled Thursday, applies to all of Constantine’s in-house productions and co-productions that start filming from January 1. Financial details of the deal were not disclosed.

Constantin and RTL have been partners for many years on films and television series, more recently on limited series The allegation, a legal thriller starring Peter Kurth (Babylon Berlin), the comedy Weil wir Champions sind (Because we are champions) with Wotan Wilke Möhring (Perfume), and Strafe (Punishment), an anthology series based on short stories by the prolific best-selling German author Ferdinand von Schirach.

The new deal will include upcoming productions of Paul WS Anderson’s Constantine (resident Evil), David Wnendt (Look who’s back), Til Schweiger (Rabbit without ears) and Doris Dörrie (Cherry blossoms). One of the highlights is the new film by hitmaker Bora Dagtekin, whose suck me shakespeer The most successful German-language franchise of the past decade, school comedy trilogy.

“Constantin Film’s in-house productions have shaped the media landscape in Germany for decades and set the standard for outstanding and successful films,” said Martin Moszkowicz, CEO of Constantin Film. “RTL Deutschland is exactly the right partner for our in-house productions. We and the many artists we work with look forward to this collaboration.

For RTL, the agreement marks a new investment in original productions. The network, which operates local-language streamer TVNow, doubled its internal commissions and German-language acquisitions to differentiate itself from streaming platforms operated by the United States.

“We are on the move: the new strategic partnership with Constantin Film is another important step on RTL’s path to become the leading entertainment brand [in Germany]Said RTL co-CEO Stephan Schäfer. “This exclusive framework agreement allows us to acquire an extraordinary portfolio of artists and creatives, with their roots here with us, for us and for our audiences.”

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How will the besieged Humboldt Forum in Berlin deal with its imperialist past? Its new Asian and ethnological museums provide clues Tue, 21 Sep 2021 21:44:30 +0000

After the July inauguration of the Humboldt Forum, the museum of non-European art that has been arguably Germany’s most controversial cultural project in decades, the institution is now opening up its most besieged divisions.

On Wednesday, with festive addresses by German President Frank-Walter Steinmeier and Nigerian writer Chimamanda Ngozi Adichie, the Humboldt inaugurated the Asian Art Museum and the Ethnological Museum, institutions teeming with objects of dubious origins.

Sleeping in the outskirts of Berlin in Dahlem for a century, the formidable treasures of 500,000 objects, one of the world’s largest ethnographic collections, only came to attention with their relocation to the Humboldt Forum.

The partially reconstructed Baroque Imperial Palace in the historic center of the district, sometimes referred to as a ‘heritage shopping center’, was built with a budget of 680 million euros ($ 802 million) and was controversial even before its use. be determined. Besides the ethnographic collections, it also houses the Foundation for the Humboldt Forum, parts of Humboldt University and the City Museum. By next spring, approximately 20,000 objects from the ethnographic museums, many of which are on public display for the first time, will occupy an exhibition space of approximately 90,000 square feet, designed by Ralph Applebaum Associates on the second and third floors. of the west wing of the building.

A small statue is prepared in an exhibition hall at the Humboldt Forum. Photo by Christophe Gateau / picture alliance via Getty Images.

To some academics and activists, the non-European collections, exhibited in a vessel revived by Prussian imperialism, sounded like bitter irony. Public objections have grown since art historian Bénédicte Savoy resigned from the Humboldt Forum’s expert panel in 2017, citing her displeasure at the institution’s inability to resolve issues. of provenance. The Ethnological Museum and the Asian Art Museum have since hired four restitution experts.

But as controversies continue, the opening illustrated how the focus of the presentation has shifted from What must be posted at How? ‘Or’ What it must be displayed. It was the kick-off of an ongoing negotiation.

“It’s not a museum, it’s a place,” said Hermann Parzinger, chairman of the Prussian Cultural Heritage Foundation (SPK), which oversees museums, in his opening speech. Andrea Scholz, Scientific Director of Museums for Transcultural Cooperation, added that the colonial debate is just the tip of the iceberg, which society is only beginning to understand: “We always practice to listen.

The attempt is particularly evident in contemporary interventions in the African collection. Between exhibits of African antiquities, sorted – without context – by region, the stories of Sambian migrants in East Germany and a collaboration with the Namibia Museum Association attempted to place Germany’s colonial ties back in. a current context. Cross-cultural cooperation with the “societies of origin” of cultural objects will remain essential, underlined the SPK.

But despite these efforts and repeated promises to combat racism and the vestiges of colonialism associated with ethnographic collections, the exhibits have failed to answer some obvious questions. One of the main exhibitions of the African collection, the 19e-throne of the kingdom of Bamum, seems placed at random in the middle of a room rather than in a royal framework which befits. Besides the rather rare visible discussions (the information comes mainly via QR codes), little has been mentioned that some ancestors of the king of Bamoum in Cameroon, a former German colony, have demanded restitution.

A young man examines an Aztec sculpture at the Ethnological Museum in Berlin. Photo by Britta Pedersen / picture alliance via Getty Images.

The SPK was the first to initiate the return process of its collection of some 500 Benin bronzes, which will be exhibited in this place for the last time in the spring before returning to Nigeria from June 2022. The institution has remained. quieter on other matters, with Parzinger reiterating only that there will be more “substantial renditions” in the future.

Other objects also remain problematic, in particular the display of the outrigger boat from Luf Island and numerous objects from the South Seas, former German colonies. Until German historian Götz Aly reveals that a punitive expedition and virtual eradication of the local population directly preceded the boat’s relocation in May this year, the SPK maintained that it was acquired from rightly. In a gesture of apology, the museum added information about the looting of Luf Island and commissioned Melanesian filmmaker Martin Maden to visit the island to look into the history. Maden discovered the descendants of survivors of the German massacre. Stanley Inum, a descendant, did not raise the issue of restitution; he suggested a visit to Berlin to see the boat and build a new one. “The knowledge must be brought back to us,” he said in a film shown next to the boat.

But the ship is just one object in one of the largest and finest collections of Oceanic art and artifacts in the world. Most of the treasure in the Oceanic collection is likely to have been stolen, but the museum’s descriptions remain “dull and empty,” according to Aly, writing in a recent editorial in the German daily FAZ.

Klaas Ruitenbeek, director of the Museum of Asian Art in Berlin, stands next to the exhibits of the Museum of Asian Art in the special exhibition hall of the Dahlem Museum in Berlin. Photo by Bernd von Jutrczenka / picture alliance via Getty Images.

This can apply to intangible heritage as well: the museum has been confronted with the call of the Indonesian people to destroy some of the audio recordings of their department of musical ethnology, which are considered sacred by the societies of origin.

Although less contested, as Germany was not a significant colonial power in Asia, the Museum of Asian Art also holds remarkable treasures, notably the Wang Shu Room which houses the 18th century mural “The Sermon of the Buddha. And the ‘Nandi’, a sculpture of a bull from South India. While most of the Asian section’s exhibits have remained largely insulated from postcolonial controversies, the Silk Road murals have also recently raised questions of legitimate acquisition.

Even before it opened, the Humboldt Forum became a negotiating ground in a way he hadn’t envisioned. The Asian Art Museum and the Ethnological Museum, the two institutions at the center of the storm, maintain a willingness to address pressing issues of historical justice and current entanglements and vestiges of colonialism. But as they have yet to fully open up, they will have to work on a deeper mediation on the provenance of their collection – and that is a long road given the treasures of around 500,000 materials and hundreds of thousands more. intangible objects.

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Flint Rap Documentary Highlights 2021-22 Film Season Opening at Flint Institute of Arts Tue, 21 Sep 2021 11:30:23 +0000

FLINT, MI – The Friends of Modern Art film series kicks off a new season at the Flint Institute of Arts with selections this fall that will take viewers from Denmark, England, France, Sweden and Bosnia into the wilderness of the northern Italy and to Flint’s recording studios and hip-hop clubs of the 1990s.

Viewers can enjoy the films during the months of September and October at the Flint Institute of Arts, 1120 E. Kearsley St., in Flint.

The first month of the season is highlighted by the local theatrical premiere Sept. 24-26 of “Breed and Bootleg: Rap Legends of Flint,” which chronicles the rise of the ’80s and’ 90s midwest rap boom in Flint. , directed by nationally acclaimed artists Eric “MC” Breed and the Dayton Family, the latter act directed by Ira “Bootleg” Dorsey.

“Breed and Bootleg” was directed by Geri Alumit Zeldes, a native of Flint, Emmy Award-winning journalism professor at Michigan State University.

Zeldes is expected to appear live at the FIA ​​Theater for each screening, along with others related to the film, according to a press release from the Flint Institute of Arts.

Other September titles include “The Truffle Hunters”, a documentary filmed in Italy, and “French Exit”, a comedy-drama starring Michelle Pfeiffer.

Among the titles reserved for October are “Dream Horse”, an English drama starring Toni Collette and Damian Lewis; the art-themed documentary “The Lost Leonardo” (as in da Vinci); and “Undine”, a mysterious romance tinged with fantasy from Germany.

Unless stated otherwise below, all films will be screened at 7:30 p.m. on Fridays and Saturdays and at 2:00 p.m. on Sundays in the FIA ​​Theater.

Tickets, available at the door, cost $ 6 for FIA members, $ 7 for non-members and $ 5 for FOMA members. For more information visit the FIA ​​website at

Here is the program from September to October:

September 24-26: Breed and Bootleg: Legends of Flint Rap Music

In its theatrical premiere, this documentary explores the legacy of 80s and 90s hip-hop to Flint, with a focus on Eric T. “MC” Breed, an ancestor of “Midwest rap” and Ira “Bootleg” Dorsey of the Dayton Family.

Directed by Geri Alumit Zeldes, 60 min., Not rated. (United States, 2020)

October 1-3: Dream horse

Toni Collette and Damian Lewis star in an inspiring drama about a racehorse raised by a small town bartender who dreams of using his meager resources to raise his pet to compete with the racing elites.

Directed by Euros Lyn, 113 min., Rated PG. (United Kingdom, 2020)

October 8-10: The Lost Leonardo

Here is the inner story of Salvator Mundi, claimed to be a long lost masterpiece by Leonardo da Vinci. The truth behind the questions about the authenticity of painting threatens to unveil the hidden agendas of the world’s richest men and the most powerful artistic institutions.

Directed by Andreas Koefoed, 90 min., Unrated. (United Kingdom / France, 2021)

October 15-17: Quo Vadis, Aida?

This recent Oscar nominee for Best International Feature is about a 1995 United Nations translator in Bosnia who faces crucial issues when the Serbian army invades her village. Will its actions mean the rescue of its inhabitants … or their death?

Directed by Jasmila Zbanic, 101 min., Subtitled, unrated. (Bosnia and Herzegovina, 2020).

October 22-24: The murder of two lovers

While trying to keep his family together, a man (played by Lethal Weapon’s Clayne Crawford on TV) struggles to cope with his ex-wife’s new relationship.

Directed by Robert Machoian, 85 min., Rated R. (US, 2021)

October 29-31: Ondine

In a haunting mix of mystery and romance by German filmmaker Christian Petzold (Transit), a Berlin historian is abandoned by the man she loves, subjecting her to an ancient curse in which she must kill her traitor and return to the water.

Directed by Christian Petzold, 90 min., Subtitled, unrated. (Germany / France, 2020)

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Jailed Burmese actress wins top prize at German Film Festival Mon, 20 Sep 2021 11:41:13 +0000
Eaindra Kyaw Zin and her husband Pyay Ti Oo.

Through The Irrawaddy September 20, 2021

Imprisoned Burmese actress Eaindra Kyaw Zin won the award for best performance at the Oldenburg International Film Festival in Germany.

The famous actress was arrested and jailed for anti-regime activities in early April and is currently spending her 164th day in Insein Prison in Yangon, alongside thousands of other political prisoners.

She won the Seymour Cassel Best Performance Award for the melodrama What Happened to the Wolf? The film follows two women who meet and fall in love while they are patients in a terminally ill hospital, with Eaindra Kyaw Zin and fellow Myanmar Motion Picture Academy Award winner Paing Phyoe Thu playing the women.

At the opening ceremony of the Oldenburg International Film Festival on September 15, festival director Torsten Neumann and others wore t-shirts in honor of the detained actress.

Poster of What Happened to the Wolf?

Eaindra Kyaw Zin is one of the most prominent supporters of the Myanmar Civil Disobedience Movement (CDM). She was arrested along with her husband Pyay Ti Oo, who is also a famous actor. Both men face three years in prison for sedition for opposing military rule

The couple, reputed to be Myanmar’s highest-paid actor, joined street protests demanding a return to democracy following the junta’s February 1 coup. They urged officials to refuse to work for the regime and join the CDM.

What happened to the wolf? is directed and produced by Na Gyi, who directed the film before the coup. Na Gyi, along with his wife Paing Phyoe Thu, is in hiding after sedition arrest warrants were issued against the couple for allegedly using their celebrity status to oppose the coup. Two other actors in the film are also in hiding, Kyaw Htet Aung and Aung Myint Myat.

Paing Phyoe Thu was also nominated for the Seymour Cassel Award for Best Performance.

The other star of the film Paing Phyoe Thu. Photo director Na Gyi (middle).

“What happened to Na Gyi’s wolf?” and the performances of the main actresses took our breath away, ”said Deborah Kara Unger, award-winning actress and festival jury member, as she announced the award.

“We celebrate it [Eaindra Kyaw Zin] his elegance, his soul, his inestimable gift to the cinema with the hope that it will reach him “, she added.

More than 8,200 civilians, including protesters, activists, politicians and celebrities, have been detained by the junta since the coup. Some 2,000 other people are the subject of arrest warrants.

The junta also banned the screening, broadcasting or publication of works by artists arrested or wanted for their involvement in anti-regime activities.

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My grandmother’s Nazi killer escaped justice. Modern war criminals must not | War crimes Sun, 19 Sep 2021 07:15:00 +0000

The man who ordered my grandmother’s murder has never been tried for this crime. He also did not stand trial for any of the 137,000 other murders he ordered for five months in 1941.

I know who he was. His name was Karl Jäger and he commanded a Nazi firing squad in Lithuania, where my 44-year-old grandmother had been deported from her hometown in Germany. He is just one of hundreds of thousands of men and women who have never been brought to justice for their role in the Nazi Holocaust. It is estimated that up to a million people were directly or indirectly involved in Holocaust-related atrocities, but only a tiny fraction – perhaps no more than 1% – have been prosecuted.

Next month marks the 75th anniversary of the end of the International Military Tribunal at Nuremberg in which 24 of the top Nazi leaders were tried for war crimes and crimes against humanity. It was the first such trial in history, described at the time as “a shining light for justice”.

A dozen more trials followed – of bankers, lawyers, doctors and others – but according to Mary Fulbrook, professor of German history at University College London, once the Nuremberg process was over, West Germans did not ‘sued that 6,000 people for their part in the Nazi crimes. , of which some 4,000 have been convicted.

Most of the perpetrators of the holocaust, like Jäger, a music-loving SS colonel who ordered the murder of my grandmother and so many others, have simply reintegrated into their communities. Jäger, for example, led a quiet and low-key life as a farmer in the German town of Waldkirch, not far from the borders with France and Switzerland, until he was finally arrested in 1959. He s ‘is hanged in his prison cell with an electric cable span before he can be brought to justice.

So why was Nuremberg, and the handful of other war crimes trials that followed, the exception rather than the rule?

First, because in 1945 a large part of Germany was nothing more than a smoldering ruin. Millions of people were homeless, so the focus was mainly on reconstruction. And who was available to take charge in the “new Germany” if not the same (supposedly denazified) officials who had served under the Nazis?

Second, because with the onset of the Cold War and fears of Soviet domination in Europe, the United States and Britain believed it was more important to deal with the Soviet threat than to hunt down thousands of Nazis. Justice should take a back seat.

None of this excuses why, even today, so few perpetrators of the most egregious crimes against humanity are prosecuted and convicted. It is true that Radovan Karadžić and Ratko Mladić are both serving long prison terms for their role in the atrocities of the war in Bosnia. Former Liberian President Charles Taylor is in jail after being convicted of what his trial judge in The Hague called “some of the most heinous and brutal crimes in human history”, and Former President of Chad, Hissène Habré, died of Covid -19 last month while serving a life sentence for human rights violations.

But, like Nuremberg, these are exceptions. Who has been tried, or will be tried, for the appalling abuses committed against the Uyghurs in China, the Rohingyas in Myanmar, the Yazidis in Iraq or the people of Tigray in Ethiopia? How many mass murderers are marching in freedom in Rwanda or Syria?

The anniversary of the Nuremberg verdicts provides an opportunity to revisit the debate on prosecution for war crimes, past and future. It also marks the release in October of a major new documentary film titled Getting away with murders which highlights some of the thousands of unpunished Nazi war criminals who escaped after 1945 and lived the rest of their lives undisturbed, some of them in Britain.

Ilse Cohn, Robin Lustig’s grandmother, killed by the Nazis in 1941. Photography: Robin Lustig

(Full disclosure: After the film’s director David Wilkinson read an article I wrote in the Observer three years ago, he invited me to appear in the film, visiting the site of my grandmother’s death.)

Seventy-five years after Nuremberg, at a time when war crimes are still being committed with shameful eagerness, it is more important than ever to reaffirm the need to collect evidence when such crimes are committed, and to reaffirm the principle according to which they must never go unpunished.

History matters. We can learn from the mistakes of the past, which is why in Germany, under the doctrine of “universal jurisdiction”, a Syrian doctor is now on trial for crimes against humanity for torturing people in military hospitals. In the Netherlands, another Syrian was sentenced last July to 20 years in prison, accused of being a member of the Front al-Nosra, a subsidiary of Al-Qaida. In Sweden, a former deputy Iranian prosecutor is currently on trial for the mass execution and torture of prisoners in the 1980s.

It is sometimes argued that the need for justice must come after the need for peace and reconciliation. In South Africa and Northern Ireland countless crimes have gone unpunished in the name of peace. This is not always an unfounded argument.

But now, move quickly a few years. Imagine that another international war crimes tribunal is pending in The Hague. On the dock, accused of a long list of human rights abuses, are the leaders of the Taliban in Afghanistan.

Is it improbable? May be. But it is not impossible – if the evidence is gathered and the political will is exercised. In 1995, after the Srebrenica massacre, when Bosnian Serb forces massacred around 8,000 Muslim men and boys, who would have imagined that those responsible for the atrocity would one day be prosecuted and convicted for their actions? Yet today both Karadžić and Mladić are behind bars. (Former Serbian President Slobodan Milošević was also prosecuted in The Hague but died before his trial was completed.)

It can be done. There should be no excuse for allowing more war criminals to commit murder.

Getting Away with Murder (s) opens in select theaters on October 1

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]]> 0 Reviews | The NFL bets on bets Sat, 18 Sep 2021 16:00:06 +0000

Wingo told me, “At the end of the day, after the Supreme Court ruling, the NFL was really good at three things. First, they have a product that you just can’t get enough of. Second, they know how to market it in hell. Third, they know how to make money. And once that thing opened up, they knew there was money to be made. And the NFL is a money making machine.

Wingo himself recently joined Caesars Sportsbook as trend director and brand ambassador. He told me that he felt his work had changed little from his work with ESPN. He’s still the “why” guy, explaining to an audience on his podcast and YouTube how a player’s stats and performance can influence his performance on any given Sunday (or Thursday or Monday). But regarding the game, he said: “We can talk about it now. It’s a little more open.

A historical aside: the game was part of the NFL when it was founded. Rumor has it that Steelers founder Art Rooney kept the team afloat in the 1930s with gambling gains, and Giants founder Tim Mara was a successful bookmaker. Even the basic aspects of game operations – like the weekly injury report teams are required to submit to the league – arguably made for the benefit of the Vegas casinos looking to set the lines and determine which teams they think they will win and by how much.

But despite the origins of the game’s betting, betting on the NFL, if they did occur, has been heavily discouraged by the league, which means that it has been largely kept a secret, an activity only for the Mafiosi and the Very Sad.

Some with close ties to the league are not happy with the changes in recent years. During a conference call with journalistsFormer Indianapolis Colts head coach Tony Dungy has said he does not support the NFL’s new betting stance. “I don’t think we should be encouraging people who watch the NFL to play, especially young people,” he said. “I have boys and I want them to enjoy the game for what it is, its exhilarating side and that sort of thing.”

There are two main concerns about legalized sports betting and the NFL: first, that the game itself could be corrupted if players, coaches, or referees “fix” games to help players, and second, that users may risk being corrupted. develop a gambling addiction with the prevalence of so many betting options.

Wingo told me he hopes legalized sports betting will actually help prevent players (or coaches) from intentionally trying to score fewer points or lose games. He gave me the example of a 2007 tennis match organized in Europe, where in-game betting is much more common than in the United States. After noticing suspicious activity – namely, a lot of money coming in favor of a player who was already losing – bookmaker Betfair halted all transactions and informed ATP of their concerns.

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The screening of the award-winning German short film will be held online on Thursday Sat, 18 Sep 2021 10:26:52 +0000 Still a Guy film still. Photo: …]]>

This online screening of short films entitled “ – The German Short Film Prize” will take place on Thursday, September 16, 2021 from 5 pm to 11 pm.

TBS Report

September 18, 2021, 15:25

Last modification: September 18, 2021, 4:27 PM

Still a Guy film still. Photo: Courtesy


Still a Guy film still. Photo: Courtesy

The short films are exciting, innovative, entertaining and full of surprises. The German Short Film Award is the most important award with the highest amount awarded to short films in Germany. It has been awarded since 1956 to exceptional short film productions. Since 1998, the nominees and winners have been filming in German cinemas every year.

This online screening of short films entitled “ The German Short Film Prize” (“ Der Deutsche Kurzfilmpreis”) will be held on Thursday, September 16, 2021 from 5 pm to 11 pm.

The Goethe-Institut Bangladesh, in association with the Lagvelki, will organize the event.

For this screening, five short films were shortlisted from the thirteen selections offered in the “Kutz.Film.Tour 2021” package.

During the 6 hour screening session, viewers will have free access to watch the mentioned films via the Goethe-Institut Bangladesh Facebook page,

connect: (

Viewers will also have the opportunity to participate in a live Q&A conference starting at 8 pm with two directors, Ms. Borbala Nagy (Dir. Land of Glory) and Mr. Martin Monk (Dir. Favorites). Writer and director Mahde Hasan will moderate the session.

Synopsis of the 5 short films:


Directed by Jannis Alexander Kiefer

Germany 2020 • fiction film • German • 9 min

Three minutes before the online meeting: the welcome joke is well thought out, the bottle is neatly stowed away in the underwear, and the internet connection is premium – what could possibly go wrong?

https: // lang = en & node = katalog_suche & film = 647 & sea …


Directed by Borbala Nagy

Land of Glory Filmstill. Photo: Collected

Land of Glory Filmstill.  Photo: Collected

Land of Glory Filmstill. Photo: Collected

Germany 2020 • fiction film • Hungarian w. German ST • 27 min.

Amid the chaos caused by the Prime Minister’s visit to a mainstream school in Hungary, one of the schoolgirls, Márti, faces a moral dilemma.

Germany 2020 • fiction film • German • 6 min.

Early in the morning in the Bavarian woods. Christoph, suffering from a severe hangover, sits next to his mother on a high seat. As she aims for a deer, Christoph tries to get out towards her, but it really doesn’t seem like the best time.

Filmstill from Favoriten. Photo: Courtesy

Filmstill from Favoriten. Photo: Courtesy

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Biden to host World Leaders Climate Forum Fri, 17 Sep 2021 19:51:38 +0000

WASHINGTON – President Biden announced on Friday that the United States and Europe have pledged to work to reduce global methane emissions by a third over the next decade and urged other countries to join their efforts to combat a powerful greenhouse gas that warms the planet.

In a virtual meeting hosted by the White House that included nine heads of state, the presidents of the European Council and the European Commission, United Nations Secretary-General António Guterres and ministers from a handful of other countries, Biden called the methane target an “ambitious but realistic goal” that the United States will help developing countries achieve.

The effort comes less than two months before a United Nations climate change summit in Glasgow, Scotland, where all nations are expected to announce more ambitious efforts over the next decade to reduce emissions resulting primarily from the burning of fossil fuels. Scientists say the world must move away sharply from oil, gas and coal or suffer catastrophic impacts from climate change.